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The Tarot or similar superstitions may ever and so |
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And the Tarot, dealing with the formative past, the issues of the moment, and prognostication of future outcomes, or at least goals ever put forth, is both motivated and time-bound.
Indeed, that old fortune telling scam appeals to the mark's keen love of
melodrama! The yearning to discern passionately involving adventure in even the most ill advised and pedestrian of personal foibles. For the Tarot system deals in the universals of human nature and experience, with easy interpretive application to the individual particulars.A popular and capable fortune teller, however, is not one who is accurate in prediction, but rather one who is incisive in telling the mark exactly all they yearn to hear. For even though ministration to the soul of one sort or another has long predated inclusion into medicine as psychotherapy, alas the fortune teller specifically, is but a living tool of denial and self-harm, validating irresponsible fatalistic passivity.
Indeed, all too often, a fortune teller yielding to an attack of conscience and seeking to actually help a client, truthfully, will frequently loose customers very quickly and learns better by conditioning from the experience.
And so, beware, as it will be good advice if any one may heed it, to eschew the vicissitudes of melodrama and not to attempt prediction or divination of the actions or feelings of others as however off stage from ones own role, completely out of ones own control, and hence entirely disconnected from ones own responsible interactions. Instead, to remain flexible and seek better insight, ask the cards all what you may already know full well deep down or at least begin to suspect, all of the dramatic and karmic questions as to what you may expect in your dealings and relationships with particular individuals, and what may be called upon of you in turn.
querant in the reading by
simply coming out and asking what the cards suggest, to illicit even
projected free association response much as with the standard
Rorschach
inkblot test (cheat
sheet!).
Hence, inevitably, the Tarot has,
similarly, even found it's way into
application towards psychotherapeutic soul-searching and clinical treatment.
Nevertheless, surely there can be no malice or falsehood in laying the Tarot, say, for story
plotting or Improvisational scenework with entirely fictional characters, or, indeed, in their creation, purely as a fiction writing aid, without any exploitative misrepresentation or salutary claims whatsoever.
Divinations such
as
the
Tarot
symbolically
reflect
the
unpremeditation
of
magical realism, ideations of the
collective unconscious
including logical
fallacies of argument by
analogy
are
anti-rationally projected in
Fairy Tale magical thinking
uncritically and at face value, hence without distinction from the truest
external reality. Indeed, the esoteric law of correspondence as exposited in
the often plagiarized
Because the future as well as the past, is thought to belong to the eternal now of Eternity, beyond transience and duration, wherein space-time abides as a seamless whole. Indeed, it was the ambient preconscious timelessness of the mythic Astral Plane that gave rise in the fertile mind of HG Wells, instead, to the revolutionary
Ontology of time frame as an actual fourth physical dimension, for Einstein later to build upon the paradoxical Lorenz Equations.For the evocative imminence of the readings conjure up
the Phenomenal time-bound present state of the highly evolved human social intelligence, which nevertheless recollects the past and anticipates possible future events, in hope or in dread, even constructing possible or likely scenarios, indeed, as mysteriously suggested by to the position of the cards. Hence, in the semiotics of the Tarot, said sequencing, signifying the future aspect of time frame, correspond to the specific synthesis of time, or the mythical memory of the future that is the celebrated poetical gift of the Muse, inspiration.
Indeed, the cards may also be said to distinguish the range of willful choice from the restrictions of fate that define situation.
The
Tell Me a Story
Spread
provides, in sequential order,
the basic elements of simple linear
plotting.
Whereas, in the Story Teller's Spread, the branching right hand path of three cards in succession at positions 2, 3 and 4, represent the expected plot scenario, either of chronological events, past background ("act zero"), dramatic obstacles to overcome, then the future or climax, or else some other progression of states of being, all branching from and disrupted by the inciting or precipitating incident or event in the opening scene for the querant or protagonist as represented by a single first card at position 1. While the left hand branching path of another three cards at positions 5, 6 and 7, represent change, complications, the new progression or plot scenario, either of events, dramatic obstacles to overcome, or of states of being, unfolding. Lastly, a final center card at position 8 represents some third option, resolution, themes, moral or world view.
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Then pair or group any adjacent cards, seeking balance or imbalance of tendencies or relating the themes of one image to another, to creatively imagine story conditions more broadly.
For example, perhaps the figure depicted in the 4 of Pentacles sitting fast in
the Tower basement even as lightening shatters the battlements above, deadly
debris falling all about him, yet he guards his treasure, even to the last.
Or seek for themes in common, and yea shall find, for they are always there to be found!
And the associative system of reciprocal influence among categorized Elemental Dignities may also be utilized for gleaning further inspiration in relating paired or grouped cards, narratively.
or interpretation of the classic Celtic Cross Layout, from left to right, analyze the cards laid across the x axis at random, to derive a plotline, much as in shuffling the deck and laying out the Three Card Spread, beginning from a premise and "Act Zero" background information in the past, the rising action upon central issues in the present and confronting some dramatic obstacle represented by the overlaying card, all in turn giving rise to conflict within and without on every level, imminent in the present (represented by the center card), ending in whatever desirable motivating goals ever put forth, or future (purportedly) foretold (and as represented by the right most card).Above and beneath position one, which is the location of the center card, come the base and the crown, respectively. The base or root is thought to represent deeper, truer causes or reasons for whatever problem situation at hand, and is purported to derive from the past in issuance of the the querant's core motivation to his or her central question, whereas the crown purportedly reveals whatever the best possible outcome, alternative or achievement.
Indeed, the tarot figures of the base and crown along the y axis, no less than the chronological elements along the x axis, conjure up any range of archetypes personifying different motivations as friendly guides or malevolent misleading tricksters and in turn suggesting people coming into ones life or handy fictional supporting characters, friends and allies advancing the plot or malevolent or dysfunctional deceivers restraining the plot.
And all such archetypical characters making their entrances into ones life just as revealed in the cards. For, after all, no less than real people, characters are defined not only introspectively or in motivated action and free choice, but by their particular relationships and by their unique role or karma, the operant nature of their associations and influence within setting and milieu.
Rich and complex fiction often turns upon
complications, often classic reversals as in the estrangement of the bullied idealistic whistle blower. And likewise, in the Yin/Yang of the Tarot, if one pays attention, traditionally the reversed or upside down card caries special mythic significance, perhaps diminished or simply opposite to that card's standard significance, or all too easy to DIS-MIS, with 12 ways that cards reversed may be reinterpreted, plus a clever 13th, in the ways the direction the characters are gazing or pointing etc., will be different with the card inverted, signifying, thereby, a different other card position affected, related to or modified than when upright.Hence, indeed, the automated pnTarot™ even takes into account which way the figure in the card you choose as the Significator is facing, and adjusts the spread accordingly. And there are complex and novel special card combinations, no less than in any of the currently popular fad card combat games, all with bearing upon the more standard interpretations. Or there are variants more ominous and darker negation.
Though
by
contrast to the former, the graphics for the
Sacred Texts card reading are all somewhat stark black and white line
drawings, as befitting to such a bare bones automated Tarot, with hyperlink
click reference bookmark tags to the significance of each card and it's
position in the spread, some of which even seem redundant, and leaving
whatever
plot
or narrative entirely to one's own devising, as best appropriate for story
tellers compelled to shun all computerized assistance, desirous of no
prompting whatsoever! Indeed, no supporting
characters
or interactions are evidenced, but only various abiding personal
motivations
and static situational influences are at all suggested.
And then there is
the Dreampower Tarot and original spread.
The
positions of the cards are explicitly and specifically significant
as to the
role of the
themes,
motivation or
character
and the
nature of their relationships and
persuasive
influence, represented or read into the
card randomly occupied thereby, however the cards themselves may prove
enigmatic enough to challenge the writer's imagination.
But beware always to employ your context sensitive right-click menu to highlight, select and then click the "Open in New Window" selection in order to read more about each card, or else when the browser back button is deployed to return to the cards as they have been laid out, the page reloads an entirely new spread!
No
less comprehensive than the offerings of the
Copyright 2001 - 2008 by Aaron Agassi